First-time filmmakers Spenser Cohen and Anna Halberg on their fresh approach to horror: "I think a lot of horror today feels rushed. For us, it's all about the buildup."

First-time filmmaker Theda Hammel and star John Early on the making of pandemic comedy 'Stress Positions': "It was fun to find the comedy in that and not to focus on the more devastating or anxiety-producing parts of that time."

Quvenzhané Wallis was only 9 years old when she became the youngest Best Actress nominee. Now 20, she says, "I hate that I can't really remember everything!"

Director Moritz Mohr on collaborating with Sam Raimi, stuntmen and Bill Skarsgård: "We just wanted to make something cool that we would actually want to watch."

Associate Curator Dara Jaffe discusses the "magical" feeling of seeing the piano from Rick's Cafe in person.

Filmmakers David and Nathan Zellner and visual effects artist Steve Newburn reflect on the journey making their Bigfoot comedy.

The actors open up about the unique challenges of playing Bigfoot: "It was really a once-in-a-lifetime experience."

Screenwriter Arash Amel reveals the "stranger than fiction" true story that inspired his WWII action flick, starring Henry Cavill, Henry Golding and Alan Ritchson.

Ahead of the Academy Museum's screening of 'Parajanov: The Last Spring' and 'The Color of Pomegranates,' A.frame looks back on the legacy of brothers-in-arts Mikhail Vartanov and Sergei Parajanov.